简爱中的经典段落赏析

2017-03-01

《简·爱》是19世纪夏洛蒂·勃朗特所著的一部英国小说,其塑造了一位追求自由与平等,维护尊严与荣誉的女性形象——简·爱。下面是小编带来的简爱中的经典段落赏析 ,欢迎阅读!

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come from the South, like a flock of glorious passenger birds, and lighted to rest them on the cliffs of Albion. The hay was all got in; the fields round Thornfield were green and shorn; the roads white and baked; the trees were in their dark prime; hedge and wood, full-leaved and deeply tinted, contrasted well with the sunny hue of the cleared meadows between.

仲夏明媚的阳光普照英格兰。当时那种一连几天日丽天清的气候,甚至一天半天都难得惠顾我们这个波浪环绕的岛国。仿佛持续的意大利天气从南方飘移过来,像一群灿烂的候鸟,落在英格兰的悬崖上歇脚。干草己经收好,桑菲尔德周围的田野己经收割干净,显出一片新绿。道路晒得白煞煞仿佛烤过似的,林木葱郁,十分茂盛。树篱与林子都叶密色浓,与它们之间收割过的草地的金黄色,形成了鲜明的对比。

On Midsummer-eve, Adele, weary with gathering wild strawberries in Hay Lane half the day, had gone to bed with the sun. I watched her drop asleep, and when I left her, I sought the garden.

施洗约翰节前夕,阿黛勒在海村小路上采了半天的野草莓,累坏了,太阳一落山就上床睡觉。我看着她入睡后,便离开她向花园走去。

It was now the sweetest hour of the twenty-four:- Day its fervid fires had wasted, and dew fell cool on panting plain and scorched summit. Where the sun had gone down in simple state -- pure of the pomp of clouds -- spread a solemn purple, burning with the light of red jewel and furnace flame at one point, on one hill-peak, and extending high and wide, soft and still softer, over half heaven. The east had its own charm or fine deep blue, and its own modest gem, a casino and solitary star: soon it would boast the moon; but she was yet beneath the horizon.

此刻是二十四小时中最甜蜜的时刻——“白昼己耗尽了它的烈火,”清凉的露水落在喘息的平原和烤灼过的山顶上。在夕阳朴实地西沉——并不伴有华丽的云彩——的地方,铺展开了一抹庄严的紫色,在山峰的一个尖顶上燃烧着红宝石和炉火般的光焰,向高处和远处伸延,显得越来越柔和,占据了半个天空。东方也自有它湛蓝悦目的魅力,有它不事炫耀的宝石——一颗升起的孤星。它很快会以月亮而自豪,不过这时月亮还在地平线之下。

简爱中的经典段落赏析阅读

I walked a while on the pavement; but a subtle, well-known scent -- that of a cigar -- stole from some window; I saw the library casement open a handbreadth; I knew I might be watched thence; so I went apart into the orchard. No nook in the grounds more sheltered and more Eden-like; it was full of trees, it bloomed with flowers: a very high wall shut it out from the court, on one side; on the other, a beech avenue screened it from the lawn. At the bottom was a sunk fence; its sole separation from lonely fields: a winding walk, bordered with laurels and terminating in a giant horse-chestnut, circled at the base by a seat, led down to the fence. Here one could wander unseen. While such honey-dew fell, such silence reigned, such gloaming gathered, I felt as if I could haunt such shade for ever; but in threading the flower and fruit parterres at the upper part of the enclosure, enticed there by the light the now rising moon cast on this more open quarter, my step is stayed -- not by sound, not by sight, but once more by a warning fragrance.

我在铺筑过的路面上散了一会儿步。但是一阵细微而熟悉的清香——雪茄的气味——悄悄地从某个窗子里钻了出来。我看见图书室的窗开了一手掌宽的缝隙。我知道可能有人会从那儿看我,因此我走开了,进了果园。庭园里没有比这更隐蔽,更象伊甸园的角落了。这里树木繁茂,花儿盛开,一边有高墙同院子隔开;另一边一条长满山毛榉的路,象屏障一般,把它和草坪分开。底下是一道矮篱,是它与孤寂的田野唯一的分界。一条蜿蜒的小径通向篱笆。路边长着月桂树,路的尽头是一棵巨大无比的七叶树,树底下围着一排座位。你可以在这儿漫步而不被人看到。在这种玉露徐降、悄无声息、夜色渐浓的时刻,我觉得仿佛会永远在这样的阴影里踯躅。但这时我被初升的月亮投向园中高处开阔地的光芒所吸引,穿过花圃和果园,却停住了脚步,——不是因为听到或是看到了什么,而是因为再次闻到了一种我所警觉的香味。

Sweet-briar and southernwood, jasmine, pink, and rose have long been yielding their evening sacrifice of incense: this new scent is neither of shrub nor flower; it is -- I know it well -- it is Mr. Rochester's cigar. I look round and I listen. I see trees laden with ripening fruit. I hear a nightingale warbling in a wood half a mile off; no moving form is visible, no coming step audible; but that perfume increases: I must flee. I make for the wicket leading to the shrubbery, and I see Mr. Rochester entering. I step aside into the ivy recess; he will not stay long: he will soon return whence he came, and if I sit still he will never see me.

多花蔷蕾、老人蒿、茉莉花、石竹花和玫瑰花早就在奉献着它们的晚香,刚刚飘过来的气味既不是来自灌木,也不是来自花朵,但我很熟悉,它来自罗切斯特先生的雪茄。我举目四顾,侧耳静听。我看到树上沉甸甸垂着即将成熟的果子,听到一只夜莺在半英里外的林子里鸣啭。我看不见移动的身影,听不到走近的脚步声,但是那香气却越来越浓了。我得赶紧走掉。我往通向灌木林的边门走去,却看见罗切斯特先生正跨进门来。我往旁边一闪,躲进了长满长春藤的幽深处。他不会久待,很快会顺原路返回,只要我坐着不动,他就绝不会看见我。

简爱中的经典段落赏析学习

It is one of my faults, that though my tongue is sometimes prompt enough at an answer, there are times when it sadly fails me in framing an excuse; and always the lapse occurs at some crisis, when a facile word or plausible pretext is specially wanted to get me out of painful embarrassment. I did not like to walk at this hour alone with Mr. Rochester in the shadowy orchard; but I could not find a reason to allege for leaving him. I followed with lagging step, and thoughts busily bent on discovering a means of extrication; but he himself looked so composed and so grave also, I became ashamed of feeling any confusion: the evil -- if evil existent or prospective there was -- seemed to lie with me only; his mind was unconscious and quiet.

我有一个缺陷,那就是尽管我口齿伶俐,对答如流,但需要寻找藉口的时候却往往一筹莫展。因此某些关键时刻,需要随口一句话,或者站得住脚的遁词来摆脱痛苦的窘境时,我便常常会出差错。我不愿在这个时候单独同罗切斯特先生漫步在阴影笼罩的果园里。但是我又找不出一个脱身的理由。我慢吞吞地跟在后头,一面在拼命动脑筋设法摆脱。可是他显得那么镇定,那么严肃,使我反而为自己的慌乱而感到羞愧了。如果说心中有鬼——不管是现在还是将来——那只能说我有。他心里十分平静,而且全然不觉。

Very soon, my -- that is, Miss Eyre: and you'll remember, Jane, the first time I, or Rumour, plainly intimated to you that it was my intention to put my old bachelor's neck into the sacred noose, to enter into the holy estate of matrimony -- to take Miss Ingram to my bosom, in short (she's an extensive armful: but that's not to the point -- one can't have too much of such a very excellent thing as my beautiful Blanche): well, as I was saying -- listen to me, Jane! You're not turning your head to look after more moths, are you? That was only a lady-clock, child, 'flying away home.' I wish to remind you that it was you who first said to me, with that discretion I respect in you -- with that foresight, prudence, and humility which befit your responsible and dependent position -- that in case I married Miss Ingram, both you and little Adele had better trot forthwith. I pass over the sort of slur conveyed in this suggestion on the character of my beloved; indeed, when you are far away, Janet, I'll try to forget it: I shall notice only its wisdom; which is such that I have made it my law of action. Adele must go to school; and you, Miss Eyre, must get a new situation.

“很快,我的一—,那就是,爱小姐,你还记得吧,简,我第一次,或者说谣言明白向你表示,我有意把自己老单身汉的脖子套上神圣的绳索,进入圣洁的婚姻状态——把英格拉姆小姐搂入我的怀抱,总之(她足足有一大抱,但那无关紧要——像我漂亮的布兰奇那样的市民,是谁都不会嫌大的)。是呀,就像我刚才说的——听我说,简!你没有回头去看还有没有飞蛾吧?那不过是个瓢虫,孩子,‘正飞回家去’我想提醒你一下,正是你以我所敬佩的审慎,那种适合你责任重大、却并不独立的职业的远见、精明和谦卑,首先向我提出,万一我娶了英格拉姆小姐,你和小阿黛勒两个还是立刻就走好。我并不计较这一建议所隐含的对我意中人人格上的污辱。说实在,一旦你们走得远远的,珍妮特,我会努力把它忘掉。我所注意到的只是其中的智慧,它那么高明,我已把它奉为行动的准则。阿黛勒必须上学,爱小姐,你得找一个新的工作。”

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