关于英语美文摘抄带翻译大全

经典美文在读写教学中有哪些可以发挥的作用呢?美文可以用来涵养学生心灵,培养学生的想象能力,为学生提供写作素材,并可用来提供写作技巧方面的借鉴。小编整理了关于英语美文摘抄带翻译，欢迎阅读!

关于英语美文摘抄带翻译：A Better Tomorrow

People often wonder why historians go to so much trouble to preserve millions of books, documents and records.

Why do we have libraries? What good are these documents and history books? Why do we record and save the actions of men, the negotiations of government officials and the events during wars?

We do it because, sometimes, the voice of experience can cause us to stop, look and listen. Sometimes, past records, when understood in the right way, can help us decide what to do and what not to do. If we are ever to create lasting peace, we must seek its origins in human experience and in the records of human history.

From the stories of courage and devotion of men and women, we create the inspirations of youth. History records the suffering, the self-denial, the devotion, and the heroic deeds of people in the past. These records can help us when we are confused and when we really need peace.

The main purpose of history is to create a better world. History gives a warning to those who promote war, and inspiration to those who seek peace.

In short, history helps us learn. Yesterday’s records can keep us from repeating yesterday’s mistakes. And from the pieces of mosaic assembled by historians come the great murals which represent the progress of mankind.

更好的明天

人们常常心存疑虑,为什么历史学家要费尽周折地保存数以万计的书籍、文献和记录。

我们为什么要有图书馆呢?这些文献和史书有何用处呢? 我们为什么要记载并保存人类的行为、政府官员的谈判和战争中的事件呢?

我们这么做的原因在于有时候经验之音能促使我们停步、观察和倾听。也因为有时候过去的记载经过正确地诠释,能帮助我们决定何事可为、何事不可为。如果我们想要创造永久的和平,我们就必须从人类的经验以及人类历史的记载中去探索其渊源。

从体现男性和女性勇敢和奉献精神的故事之中,我们获得了青春的启示。历史记载着人类的一切苦难、克己、忠诚和英勇的事迹。这些记载在我们困惑和渴望和平时能对我们有所帮助。

历史的主要目的是创造一个更加美好的世界。历史对那些力主战争的人给以警告,给予那些寻求和平的人以启示。

简而言之,历史帮助我们学习。昨日的记载可以使我们避免重蹈覆辙。这些历史学家们创作的像马赛克一样色彩缤纷的历史片断汇聚成了代表人类进步的伟大壁画。

关于英语美文摘抄带翻译：Don’t Step Out of Character

By VIRGINIA SALE

ON A PLANE flying from Chicago to New York, my seat companion was a young girl who gaveme a friendly smile as I sat beside her, but whose young face showed great sadness. Hesitantly,she told me she was on her way to the funeral of her seventeen-year-old brother, who hadbeen killed in Korea. She also told me that her only other relatives were two brothers, both inthe service, and that they had lost their eldest brother in the war in Europe. I wanted to saysomething to comfort her…I felt so useless…say something to comfort her…I felt souseless…All I could say was “I’m so sorry.” And I thought, “Just what can I do to help bringorder and hope into the world today?” And the thought came to me, “I can pray and myprayers will tune in with other sincere prayers to create a mighty force for good and for peacein the world.”

As a girl I was fortunate in having old-fashioned, religious parents, and I often think of the oldhymn my good father sang so lustily as stood beside him in church, “I need Thee every hour.”As I’ve grown older my philosophy has changed—in a way. I don’t think of God now as an oldman with a long gray beard sitting up on a throne. I believe in a practical religion. What good isit unless I can use it to help solve my daily problems, large or small?

I am grateful for what I consider the most worthwhile things in my life—a happy marriage, agood husband, and a son and daughter who become infinite ly finer as they grow up. Successin my theatrical career has come second to these. However, no matter what my materialblessings may be, I realize that my happiness must come from within myself. I can’t get backanything I don’t give out. Anybody knows a sure cure for the blues is to get out and dosomething nice for someone else.

I have had a wonderful opportunity, on my tours with my one-woman show, to meet fine,good people in every one of the seven hundred towns I’ve played. From them I know that goodpeople predominate in every part of this country.

I love my work. I believe that laughter is a great soul cleanser, and I pray that my audiencesmay somehow be better off for having seen my show. I believe in blessing everything andeverybody along the way. Sometimes I may have let stage fright and nerves rob me and myaudience of my best performance. I have failed if I haven’t beforehand blessed everyone in myaudience, everyone backstage, and, when I’m working in television, radio or motion pictures,everyone in the studio—my fellow actors and the director and technicians. I admire theircourage, their goodhearted generous qualities.

What do I mean by “blessing”? Well, I first have a deep sense of gratitude to an audience, anda feeling of good will and good wishes, so that I know there is complete harmony betweenthem and me, and I know they will like me because I really like them—that we will tune intogether.

My late brother, the great character actor and comedian, Charles “Chic” Sale, said to me onetime we were talking about spiritual things and about being perfect channels for expression_r: “The thing to do, kiddo, is to stay in character—be God’s child.” And I try never to forget this.

演好自己的角色

弗吉尼娅·塞尔

一次，在从芝加哥飞往纽约的航班上，我坐在一个年轻女孩旁边。我坐下时她对我友好地笑了一下，但她年轻的面孔却流露出深切的悲痛。迟疑中，她向我道出了原委——她此行是要去参加她弟弟的葬礼，弟弟只有十七岁，葬身在朝鲜战场。她的另两位兄弟是她仅有的亲人，都在服役，而她的大哥也已战死在欧洲。我很想安慰她……我觉得自己无能为力……只能对她说：“我很难过。”我想，为了世界有太平和希望，我能做什么呢?突然我想到了祷告。“我可以祷告，我的祷告与其他虔诚的祷告一定能汇聚成一股巨大的力量，让世界充满美好与和平。”

我是个幸运的女孩，父母的思想很传统，笃信宗教。我常记起儿时在教堂里，站在我身边的父亲经常满怀激情地哼唱一首古老的赞美诗，“上帝啊，我时时刻刻需要你!”长大以后我的人生信条在某种程度上有所改变。我不再认为上帝是一个坐在宝座上、留着长长白胡子的老头。我奉行的人生信条很现实。如果它不能帮我解决日常生活中大大小小的问题，那它有什么用呢?

对我来说，演艺事业的成功是次要的，人生最重要的是美满的婚姻、一个好丈夫和一双越来越有出息的子女。这些我都得到了，对此我心存感激。可是，无论我得到什么物质上的恩赐，真正的幸福必须源自我的内心。没有对他人的付出就不可能有任何回报。众所周知，随时准备行善才是根除忧愁的良药。

我的个人巡回演出给了我一个大好机会，使我结识了我所到的七百多个小镇上无数善良的人们。他们让我相信在这个国家毕竟好人还是占大多数。

我热爱我的工作。我相信欢笑能净化灵魂，我祈祷我的演出能让人们更加幸福快乐。我相信我一路上给每件事每个人送去的祝福。有时我可能怯场、紧张，无法向观众呈现最精彩的表演。我演砸了是因为没有事先为每位观众、每位后台的工作人员祈福，或是在电视台、广播电台、摄影棚拍电影时没有为我的搭档、导演、技师等每位演职人员祈福。他们都那么勇敢、善良、慷慨，令我钦佩不已。

我所说的“祈福”是什么意思呢?我首先对观众充满深深感激，然后对他们满怀美好的祝愿。这样一来我就知道我能和观众和谐互动，因为我真的喜爱他们，他们也会喜爱我——这样我们就能产生心灵的共鸣。

我已去世的哥哥查尔斯·“奇克”·塞尔是一位了不起的性格演员和喜剧演员。有一次我们谈起精神世界的话题，讨论完美的演技。我记得他对我说，“小家伙，做上帝的子民——这就是你要演好的角色”——这一点，我要努力永远铭记在心。

附注：

弗吉尼娅·塞尔：是一名多才多艺、工作勤奋的性格演员。

关于英语美文摘抄带翻译：One Girl Changed My Life

My childhood and adolescence were a joyous outpouring of energy, a ceaseless quest forexpression, skill, and experience. School was only a background to the supreme delight oflessons in music, dance, and dramatics, and the thrill of sojourns in the country, theaters,concerts. And books, big Braille books that came with me on streetcars, to the table, and tobed. Then one night at a high school dance, a remark, not intended for my ears, stabbed myyouthful bliss: “That girl, what a pity she is blind.” Blind! That ugly word that implied everythingdark, blank, rigid, and helpless. Quickly I turned and called out, Please don’t feel sorry for me,I’m having lots of fun. But the fun was not to last.

With the advent of college, I was brought to grips with the problem of earning a living. Part-time teaching of piano and harmony and, upon graduation, occasional concerts and lectures,proved only partial sources of livelihood. In terms of time and effort involved, the financialremuneration was disheartening. This induced within me searing self-doubt and dark moods ofdespondency. Adding to my dismal sense of inadequacy was the repeated experience ofseeing my sisters and friends go off to exciting dates. How grateful I was for my piano, where—through Chopin, Brahms, and Beethoven—I could mingle my longing and seething energywith theirs. And where I could dissolve my frustration in the beauty and grandeur of theirconceptions.

Then one day, I met a girl, a wonderful girl, an army nurse, whose faith and stability were tochange my whole life. As our acquaintance ripened into friendship, she discerned, behind ashell of gaiety, my recurring plateaus of depression. She said, “Stop knocking on closeddoors. Keep up your beautiful music. I know your opportunity will come. You’re trying toohard. Why don’t you relax, and have you ever tried praying?”

The idea was strange to me. It sounded too simple. Somehow, I had always operated on thepremise that, if you wanted something in this world, you had to go out and get it for yourself.Yet, sincerity and hard work had yielded only meager returns, and I was willing to tryanything. Experimentally, self-consciously, I cultivated the daily practice of prayer. I said:God, show me the purpose for which You sent me to this world. Help me to be of use to myselfand to humanity.

In the years to follow, the answers began to arrive, clear and satisfying beyond my mostoptimistic anticipation. One of the answers was Enchanted Hills, where my nurse friend and Ihave the privilege of seeing blind children come alive in God’s out-of-doors. Others are thenever-ending sources of pleasure and comfort I have found in friendship, in great music, and,most important of all, in my growing belief that as I attune my life to divine revelation, I drawcloser to God and, through Him, to immortality.

一位女孩改变了我的生活

罗丝·雷斯尼克

我在童年和少年时代激情四溢，无时无刻不追求展现自我、磨砺才艺和体味生活。学校里的音乐、舞蹈和戏剧课让我欢欣不已，而剧院和音乐会更让我身心为之震颤，乡间流连的时光也同样美妙，还有我的书，那些厚重的盲文书籍无论在我乘车、用餐还是睡觉时都与我形影不离。

然而，一天晚上，在高中的一次舞会上，一句我无意中听到的话霎那间将我年少的幸福击碎——“那女孩是个瞎子，真可惜!”

瞎子——这个刺耳的字眼隐含着一个阴暗、漆黑、僵硬和无助的世界。我立刻转过身，大声喊道：“请不要为我叹惜，我很快乐!”——但我的快乐自此不复存在。

升入大学之后，我开始为生计而奔波。课余时间我教授钢琴及和声，临近毕业时还偶尔参加几次演奏会，做了几次讲座，可要维持生计光靠这些还是不够，与投入的时间和精力相比，它们在经济上的回报让人沮丧。这让我失去了自信和勇气，内心郁闷苦恼。眼看我的姐妹和伙伴们一次次兴高采烈地与人约会，我更觉消沉空虚。所幸的是，还有钢琴陪我。我沸腾的渴望和激情在肖邦、贝多芬、勃拉姆斯那里得到了共鸣。我的挫败感在他们美妙壮丽的音乐构想中消散。

直到有一天，我遇见一位女孩，一位出色的女孩，这名随军护士的信念和执著将改变我的一生。我们日益熟稔，成为好友，她也慢慢察觉出我的快乐的外表之下内心却时常愁云密布。她对我说，“门已紧锁，敲有何用?坚持你的音乐梦想，我相信机会终将来临。你太辛苦了，何不放松一下——试试祷告如何?”祷告?我从未想到过，听起来太天真了。一直以来，我的行事准则都是，无论想得到什么都必须靠自己去努力争取。不过既然从前的热诚和辛劳回报甚微，我什么都愿意尝试一番。

虽然有些不自在，我尝试着每天都祷告——“上帝啊，你将我送到世上，请告诉我你赐予我的使命。帮帮我，让我于人于己都有用处。”

在接下来的几年里，我得到了明确而满意的回答，超出了我最乐观的期望值。其中一个回答就是魔山盲人休闲营区。在那里，我和我的护士朋友每年都有幸看到失明的孩子们在大自然的怀抱中是多么生气勃勃。除此之外，朋友们真挚的友谊以及美妙的音乐都给我带来无穷无尽的欢乐和慰藉。最重要的是，我越来越意识到，在我日复一日的祷告中，当我聆听上帝的启示之时，我正日益与他靠近，并通过他接近永恒。

附注：

罗丝·雷斯尼克：于1934年毕业于亨特学院，之后又获得了加州大学的硕士学位，现为三藩市盲人康乐协会的执行主任。